February 2013

Bookmark This: A Rare Interview with Don DeLillo

Image credit: Brain Pickings

We're excited to share this rare and thoroughly engrossing interview with Don DeLillo, an author who has traditionally avoided interacting with the media. Here's a great excerpt:


This week, as I write about writing, it is important to me to write about Shannon. She was my seventh grade Core teacher, which means she taught English in addition to history and social studies. She taught me about the power of words. She also taught me to believe that I could be skilled at expressing myself through them. For the past three and a half years, Shannon, who is 43, has battled cancer, and I recently learned that she is now in hospice care.

WiPC Caselist

The Writers in Prison Committee of PEN International works on behalf of persecuted writers worldwide. It was established in 1960 in response to increasing attempts to silence voices of dissent by imprisoning writers and journalists.


It’s easy to get wrapped up in life. But then death happens within your circle of family and friends and the every-day-living routine is broken. Death calls for a pause.

The Mark Interviews Antoine Wilson

Photo credit: antoinewilson.com.*


“Pies, Pies, Pies” (1961), by Wayne Thiebaud.

This week, in literature and in life, I’ve encountered many reminders about humility.

Bookmark This: PEN's Favorite Love Poems

For this special Valentine's Day edition of Bookmark This, the PEN staff have shared their favorite love poems. Enjoy:

Grant Hutchins, Program Coordinator, recommends:

You, You, You, or Me, Me, Me

MC Escher

This week I’ve been thinking a lot about you. Not literally you (though, depending on who you are, who knows), but the pronoun you, as employed in that rare gem of a POV, the second person. So far, only one story in my collection is told in the second person. This week, so that story didn’t feel so lonely, I tried switching a newer piece from first to second.

Making It Matter

Artist: Brett Amory

In The Mark workshop last week, we discussed the relationship between scene and summary. A novel, Antoine told us, should strike the perfect balance of the two—showing and telling—as determined by the voice and world of the book.