The Mark Blog

Bookmark This: Etgar Keret's Ten Rules for Writers

Rookie Mag published these ten "rules" for writers by the Israeli literary star and acclaimed filmmaker Etgar Keret. Enjoy:

1. Make sure you enjoy writing.
Writers always like to say how hard the writing process is and how much suffering it causes. They’re lying. People don’t like to admit they make a living from something they genuinely enjoy.
Writing is a way to live another life. Many other lives. The lives of countless people whom you’ve never been, but who are completely you. Every time you sit down and face a page and try—even if you don’t succeed—be grateful for the opportunity to expand the scope of your life. It’s fun. It’s groovy. It’s dandy. And don’t let anyone tell you otherwise.
 
2. Love your characters.
For a character to be real, there has to be at least one person in this world capable of loving it and understanding it, whether they like what the character does or not. You’re the mother and the father of the characters you create. If you can’t love them, nobody can.
 
3. When you’re writing, you don’t owe anything to anyone.
In real life, if you don’t behave yourself, you’ll wind up in jail or in an institution, but in writing, anything goes. If there’s a character in your story who appeals to you, kiss it. If there’s a carpet in your story that you hate, set fire to it right in the middle of the living room. When it comes to writing, you can destroy entire planets and eradicate whole civilizations with the click of a key, and an hour later, when the old lady from the floor below sees you in the hallway, she’ll still say hello.
 
4. Always start from the middle.
The beginning is like the scorched edge of a cake that’s touched the cake pan. You may need it just to get going, but it isn’t really edible.
 
5. Try not to know how it ends.
Curiosity is a powerful force. Don’t let go of it. When you’re about to write a story or a chapter, take control of the situation and of your characters’ motives, but always let yourself be surprised by the twists in the plot.
 
6. Don’t use anything just because “that’s how it always is.”
Paragraphing, quotation marks, characters that still go by the same name even though you’ve turned the page: all those are just conventions that exist to serve you. If they don’t work, forget about them. The fact that a particular rule applies in every book you’ve ever read doesn’t mean it has to apply in your book too.
 
7. Write like yourself.
If you try to write like Nabokov, there will always be at least one person (whose name is Nabokov) who’ll do it better than you. But when it comes to writing the way you do, you’ll always be the world champion at being yourself.
 
8. Make sure you’re all alone in the room when you write.
Even if writing in cafés sounds romantic, having other people around you is likely to make you conform, whether you realize it or not. When there’s nobody around, you can talk to yourself or pick your nose without even being aware of it. Writing can be a kind of nose-picking, and when there are people around, the task may become less natural.
 
9. Let people who like what you write encourage you.
And try to ignore all the others. Whatever you’ve written is simply not for them. Never mind. There are plenty of other writers in the world. If they look hard enough, they’re bound to find one who meets their expectations.
 
10. Hear what everyone has to say but don’t listen to anyone (except me).
Writing is the most private territory in the world. Just as nobody can really teach you how you like your coffee, so nobody can really teach you how to write. If someone gives you a piece of advice that sounds right and feels right, use it. If someone gives you a piece of advice that sounds right and feels wrong, don’t waste so much as a single second on it. It may be fine for someone else, but not for you.

Born in Tel Aviv in 1967, Etgar Keret is a popular writer in Israel. His writing has been published in The New York Times, Le Monde, The Guardian, The Paris Review and Zoetrope. His stories have inspired over forty movies, one of which won the American MTV Prize. His feature film Wristcutters (2006) also won several international awards, and $9.99, based on a number of his short stories, was released to critical acclaim in 2009. He has received many honors and awards, including the Book Publishers Association's Platinum Prize, the Prime Minister's Prize, and the Ministry of Culture's Cinema Prize. He was also a finalist for the prestigious Frank O'Connor Short Story Collection Prize (2007). In 2007, Keret and Shira Gefen won the Cannes Film Festival's Camera d'Or Award for their movie Jellyfish. In 2010, Keret was honored in France with the decoration of Chevalier de l'Ordre des Arts et des Lettres. His books have been published abroad in 31 languages in 35 countries.